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M-A in Theatre And Film Studies at Alagappa University
Sivaganga, Tamil Nadu
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About the Specialization
What is Theatre and Film Studies at Alagappa University Sivaganga?
This M.A. Drama and Theatre Arts program at Alagappa University focuses on a comprehensive understanding of dramatic arts, including the crucial element of film studies. It explores both traditional and modern theatrical forms, alongside the emerging landscape of cinema. The Indian entertainment industry, from regional theatre to Bollywood and independent filmmaking, presents a vast and dynamic landscape, making this program highly relevant for aspiring artists, critics, and practitioners. The program aims to bridge academic rigor with practical application, preparing students for diverse roles in a thriving sector.
Who Should Apply?
This program is ideal for creative graduates from any discipline seeking entry into the performing arts and film industries. It caters to aspiring actors, directors, playwrights, theatre technicians, film critics, and media professionals. Working professionals in related fields looking to deepen their theoretical knowledge or explore practical aspects of theatre and film will also find immense value. Individuals with a passion for storytelling, cultural expression, and a desire to contribute to India''''s rich artistic heritage are particularly well-suited.
Why Choose This Course?
Graduates of this program can expect to pursue dynamic career paths in India such as theatre artists, film production assistants, cultural event managers, drama teachers, media critics, or content creators for digital platforms. Entry-level salaries in these fields can range from INR 2.5 lakhs to 5 lakhs per annum, with experienced professionals earning significantly more, up to INR 10-15 lakhs or higher based on specialization and success. The program fosters critical thinking, creative expression, and technical skills essential for growth in both traditional and modern Indian entertainment industries.
Student Success Practices
Foundation Stage
Engage Actively with Local Theatre- (Semester 1-2)
Immerse yourself in the local theatre scene by regularly attending performances, workshops, and festivals in Karaikudi and nearby cities. Actively participate in student drama clubs and volunteer for backstage roles to understand practical production aspects. This hands-on exposure complements classroom learning.
Tools & Resources
Alagappa University Drama Club, local cultural organizations, university events calendar
Career Connection
Builds practical knowledge, industry contacts, and helps discover specific areas of interest (acting, direction, technical) crucial for early career decisions.
Master Theoretical Foundations and Critical Analysis- (Semester 1-2)
Develop strong study habits by thoroughly engaging with the history, aesthetics, and forms of Indian and Western theatre. Practice critical analysis of plays and performances, focusing on dramatic structure and cultural context. Join study groups to discuss key texts and theories.
Tools & Resources
University library resources, online academic journals, peer study groups
Career Connection
Forms the intellectual backbone for future roles in criticism, dramaturgy, research, and informed artistic practice.
Cultivate Basic Performing Skills- (Semester 1-2)
Dedicate time to developing fundamental acting techniques, voice modulation, and body language. Participate in introductory acting exercises and improvisational theatre sessions. Seek feedback from professors and peers to refine your stage presence and expressive abilities.
Tools & Resources
Acting workshops, departmental practical sessions, student performance groups
Career Connection
Essential for aspiring actors and directors, provides a foundational understanding of performance dynamics for all roles in theatre and film.
Intermediate Stage
Gain Hands-on Production Experience- (Semester 3-4)
Actively seek opportunities to work on full-scale theatre productions, taking on specific roles in stagecraft, lighting, sound, direction, or playwriting. This practical application of theoretical knowledge is crucial for developing professional skills and understanding team dynamics.
Tools & Resources
Departmental productions, local theatre companies, short film projects
Career Connection
Builds a portfolio of practical work, develops teamwork skills, and creates industry-relevant experience valuable for internships and entry-level positions in production.
Explore Film Studies with Practical Application- (Semester 3-4)
While studying Film Studies as a core subject, actively watch and analyze a wide range of Indian and international films. Participate in short film projects or film clubs, learning about cinematography, editing, and narrative construction. Attend film festivals to broaden your perspective.
Tools & Resources
Film archives, online streaming platforms, film festival attendance, student filmmaking groups
Career Connection
Develops a critical understanding of cinema and practical skills in filmmaking, opening doors to careers in film production, criticism, or documentary making.
Network with Industry Professionals- (Semester 3-4)
Attend industry seminars, workshops, and guest lectures conducted by professionals in theatre and film. Actively engage with alumni working in the field. Leverage these interactions to gain insights, identify mentorship opportunities, and build a professional network.
Tools & Resources
University career services, professional networking platforms, industry events
Career Connection
Crucial for identifying career opportunities, gaining mentorship, and understanding industry trends and demands for future employment.
Advanced Stage
Undertake a Strong Research Project and Portfolio Development- (Semester 4)
Focus intensively on your final project and viva voce, ensuring high-quality research and a compelling presentation. Simultaneously, compile a comprehensive portfolio showcasing your best work in theory, practical theatre, and any film-related endeavors.
Tools & Resources
Academic supervisors, university research guidelines, digital portfolio platforms
Career Connection
A strong project and portfolio are essential for demonstrating expertise and capabilities to potential employers or for pursuing further academic research.
Prepare for Placements and Freelance Opportunities- (Semester 4)
Actively seek out placement opportunities, preparing a tailored resume and cover letter for roles in theatre companies, film studios, or media houses. For freelance roles, build a strong online presence and network proactively to secure initial projects. Practice interview skills.
Tools & Resources
University placement cell, online job portals, professional networking events
Career Connection
Directly prepares you for securing your first role, whether in an organization or as an independent practitioner, leveraging your academic and practical skills.
Develop an Entrepreneurial Mindset- (Semester 4)
Consider how you can leverage your skills to create your own artistic ventures, such as a theatre company, a production house, or a content creation startup. Network with peers who share similar aspirations and explore funding opportunities or grant applications for arts projects.
Tools & Resources
Startup incubators (if available), business plan templates, government schemes for arts funding
Career Connection
Fosters independence and innovation, opening pathways to becoming an arts entrepreneur and contributing to the cultural economy, particularly relevant in the dynamic Indian creative landscape.
Program Structure and Curriculum
Eligibility:
- Candidates must have passed any degree (B.A./B.Sc./B.Com./B.B.A./B.C.A./etc.,) from Alagappa University or any other University recognized by its Syndicate as equivalent thereto.
Duration: 2 years (4 semesters)
Credits: 96 Credits
Assessment: Internal: 25%, External: 75%
Semester-wise Curriculum Table
Semester 1
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| 21PTAT101 | History of Indian Theatre | Core | 4 | Origin and evolution of Indian Theatre, Sanskrit Theatre and its conventions, Kalidasa and Bhavabhuti''''s contributions, Natyashastra and Rasa theory, Folk and Traditional theatre forms, Modern Indian theatre post-independence |
| 21PTAT102 | History of Western Theatre | Core | 4 | Ancient Greek and Roman drama, Medieval Mystery and Morality plays, Renaissance and Elizabethan theatre, Restoration and 18th Century drama, Romanticism and Realism, Modern European theatre movements |
| 21PTAT103 | Traditional Theatre Forms of India | Core | 4 | Yakshagana of Karnataka, Kathakali and Kutiyattam of Kerala, Ankiya Nat of Assam, Jatra of Bengal, Bhavai of Gujarat, Nautanki and Ramlila of North India |
| 21PTAT104 | Introduction to Acting | Core | 4 | Theories of acting, Body and voice training techniques, Improvisation and scene study, Characterization and role analysis, Stage presence and audience connection, Method acting principles |
| 21PTAT105 | Classical Indian Aesthetics | Elective | 4 | Concept of beauty in Indian arts, Natyashastra and its components, Rasa and Bhava theory, Dhvani and Vakrokti doctrines, Alankaras and Gunas, Contribution of Bharata Muni |
| 21PTAT106 | Children Theatre | Elective | 4 | Principles of children''''s theatre, Playwriting for young audiences, Production techniques for children''''s plays, Educational and developmental aspects, Storytelling and imaginative play, Audience engagement strategies |
Semester 2
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| 21PTAT201 | Playwriting and Dramaturgy | Core | 4 | Elements of dramatic writing, Structure and plot development, Character and dialogue creation, Adaptation and translation, Dramaturgical analysis of texts, Developing a theatrical narrative |
| 21PTAT202 | Stage Craft and Design | Core | 4 | Scenography and visual concepts, Set design and construction, Lighting design principles, Sound design and effects, Costume design and properties, Stage management and technical aspects |
| 21PTAT203 | Modern Theatre Forms | Core | 4 | Absurdist Theatre, Epic Theatre (Brecht), Realism and Naturalism, Symbolism and Expressionism, Postmodern and experimental theatre, Contemporary global trends |
| 21PTAT204 | Direction | Core | 4 | Role and responsibilities of a director, Script analysis and interpretation, Blocking and stage movement, Rehearsal techniques and actor guidance, Developing a directorial vision, Collaboration with design team |
| 21PTAT205 | Folk Theatre Forms of Tamil Nadu | Elective | 4 | Therukoothu and Kattaikkuttu, Bommalattam (Puppetry), Villu Pattu (Bow Song), Karagattam and Kavadi Attam, Oppari (Lament songs), Traditional performance traditions |
| 21PTAT206 | Theatre Management | Elective | 4 | Production planning and logistics, Budgeting and financial management, Marketing and promotion strategies, Venue and event management, Fundraising and sponsorship, Audience development and outreach |
Semester 3
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| 21PTAT301 | Applied Theatre | Core | 4 | Theatre for Development, Forum Theatre (Boal), Playback Theatre, Theatre in Education, Community theatre and engagement, Using theatre for social change |
| 21PTAT302 | Research Methodology | Core | 4 | Introduction to research in arts, Research design and types, Data collection methods (qualitative/quantitative), Literature review and referencing, Thesis writing and structuring, Ethical considerations in research |
| 21PTAT303 | Puppetry | Elective | 4 | History and forms of puppetry, Glove, rod, string, and shadow puppets, Puppet making techniques, Manipulation and voice for puppets, Storytelling through puppetry, Contemporary puppet theatre |
| 21PTAT304 | Street Theatre | Elective | 4 | Evolution of street theatre, Techniques of outdoor performance, Social and political messaging, Audience interaction and engagement, Improvisation and spontaneity, Protest and community theatre |
| 21PTAT305 | Film Studies | Core | 4 | History of Indian and World Cinema, Key film theories and concepts, Narrative structure in film, Cinematography and mise-en-scène, Editing and sound in cinema, Genres and auteur theory |
| 21PTAT306 | Theatre Criticism | Elective | 4 | Principles and theories of criticism, Writing performance reviews, Analytical frameworks for theatre, Ethical considerations for critics, Historical context of theatre criticism, Role of a critic in promoting arts |
Semester 4
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| 21PTAT401 | Project and Viva Voce | Core | 12 | Project topic selection and proposal, Research design and execution, Data analysis and findings, Dissertation writing and formatting, Oral presentation skills, Viva Voce preparation and defense |
| 21PTAT402 | Aesthetics of Drama and Theatre | Core | 4 | Theories of beauty and artistic expression, Dramatic experience and catharsis, Audience reception theories, Semiotics of theatre, Brechtian aesthetics and alienation effect, Postmodern perspectives on theatre |
| 21PTAT403 | Theatre Education | Elective | 4 | Curriculum design for drama, Teaching methodologies in theatre, Drama in schools and colleges, Workshop facilitation techniques, Creative dramatics and role-playing, Assessment in theatre education |
| 21PTAT404 | Costume and Make-up | Elective | 4 | History of costume and fashion, Costume design principles, Fabric selection and construction, Character transformation through make-up, Stage make-up techniques, Wig design and hair styling |
| 21PTAT405 | Media Studies | Elective | 4 | Theories of media and communication, Mass communication and its impact, Digital media and new technologies, Advertising and public relations, Journalism and news media, Media ethics and regulation |
