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BACHELOR-OF-VISUAL-ARTS in Graphics at Chamarajendra Academy of Visual Arts
Mysuru, Karnataka
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About the Specialization
What is Graphics at Chamarajendra Academy of Visual Arts Mysuru?
This Graphics program (interpreted as Graphic Art - Printmaking) at Chamarajendra Government College of Visual Arts, Mysuru, focuses on the traditional and contemporary techniques of printmaking, fostering artistic expression through various mediums. It equips students with skills in etching, lithography, serigraphy, and digital printmaking, relevant to India''''s thriving art and design industry, offering unique avenues for creative careers.
Who Should Apply?
This program is ideal for aspiring artists, designers, and illustrators with a strong visual sensibility and a passion for printmaking processes. It attracts fresh graduates seeking entry into fine art, advertising, or design studios, working professionals looking to diversify their artistic skill set, and career changers transitioning into the dynamic Indian creative industry, particularly those with a foundation in visual arts.
Why Choose This Course?
Graduates of this program can expect diverse career paths in India, including independent print artists, illustrators, designers for publishing houses, art educators, and print studio managers. Entry-level salaries typically range from INR 2.5 to 4 lakhs annually, growing significantly with experience. Opportunities also exist in animation, textile design, and cultural institutions, aligning with professional growth in India''''s expanding creative economy.
Student Success Practices
Foundation Stage
Immerse in Foundational Art Skills- (Semester 1-2)
Focus intensely on mastering basic drawing, painting, and sculpture techniques taught in foundational courses. Dedicate extra hours to practice observational drawing and understanding fundamental aesthetics. Regularly sketch from life and develop a strong portfolio of early works.
Tools & Resources
Art supply stores for quality materials, Local life drawing sessions, Museum visits (e.g., Jaganmohan Palace Art Gallery), ''''Drawing on the Right Side of the Brain'''' by Betty Edwards
Career Connection
A strong foundation in core visual arts is crucial for any specialization, ensuring versatility and a robust portfolio for future artistic and design roles.
Engage with Art History and Theory- (Semester 1-2)
Beyond classroom lectures, delve deeper into Indian and Western art history. Analyze artworks critically, understand their cultural context, and participate in discussions. This builds a strong conceptual framework for artistic practice.
Tools & Resources
Online resources like Khan Academy Art History, ''''The Story of Art'''' by E.H. Gombrich, University library art journals, Attending art history seminars
Career Connection
Develops critical thinking, research skills, and a nuanced understanding of artistic lineage, valuable for art criticism, curatorial roles, and informed artistic practice.
Build a Peer Learning Network- (Semester 1-2)
Form study groups with classmates to discuss assignments, share techniques, and critique each other''''s work constructively. Organize informal art challenges and collaborative projects to foster creative growth and build camaraderie.
Tools & Resources
College common spaces, Online platforms for sharing (e.g., Discord groups), Local art student meetups
Career Connection
Establishes a support system for academic and artistic development, and builds early professional connections that can lead to future collaborations and opportunities in the Indian art scene.
Intermediate Stage
Deepen Specialization Skills (Printmaking)- (Semester 3-5)
As you enter the specialization, dedicate significant time to hands-on practice in various printmaking techniques like linocut, woodcut, etching, and lithography. Experiment with different materials and tools to develop a unique artistic voice.
Tools & Resources
College printmaking studio, Specialized printmaking workshops (e.g., at Karnataka Chitrakala Parishath), Books on traditional and contemporary printmaking, YouTube tutorials by master printmakers
Career Connection
Develops the core technical expertise and distinctive style required for a professional print artist, graphic designer, or print educator in India.
Seek External Industry Exposure- (Semester 3-5)
Attend art fairs, gallery openings, and design exhibitions in Mysuru and Bengaluru. Intern with local artists, print studios, or design agencies to gain practical experience and understand professional workflows. This is crucial for bridging academic learning with industry demands.
Tools & Resources
Online listings for art events, Gallery websites, ''''Arts & Culture'''' sections of local newspapers, University career services for internship leads
Career Connection
Provides invaluable real-world experience, networking opportunities with established professionals, and insights into the Indian art market, enhancing employability.
Participate in College & Local Competitions- (Semester 3-5)
Actively submit your artwork to college-level art competitions, inter-collegiate festivals, and local art contests. This provides valuable experience in showcasing your work, receiving feedback, and building confidence.
Tools & Resources
College cultural committees, Local art societies (e.g., Lalit Kala Akademi Mysuru), Online platforms for art call-for-entries
Career Connection
Gains recognition, builds a competitive portfolio, and helps refine presentation skills, which are essential for securing future grants, commissions, and gallery representation.
Advanced Stage
Develop a Professional Artist Portfolio & Online Presence- (Semester 6-8)
Curate your best printmaking and drawing works into a professional physical and digital portfolio. Create an artist website or a strong social media presence (e.g., Instagram, Behance) to showcase your unique style and projects. Regularly update it with new creations.
Tools & Resources
Behance, ArtStation, Personal website builders (e.g., Squarespace, WordPress), Professional photography equipment for documenting artwork, Social media marketing guides
Career Connection
This is your primary tool for securing exhibitions, client commissions, job interviews, and gallery representation, crucial for establishing yourself as a working artist in India.
Undertake an Independent Thesis Project- (Semester 7-8)
Conceive, research, and execute a comprehensive final thesis project in printmaking that demonstrates your specialized skills and conceptual depth. This project should reflect your artistic vision and research capabilities.
Tools & Resources
University library, Academic advisors, Access to advanced printmaking studio, Grants for materials, Mentorship from senior artists
Career Connection
A strong thesis project serves as a cornerstone of your professional portfolio, showcasing your ability to undertake significant independent artistic work, which is vital for higher studies, exhibitions, and grants.
Prepare for Professional Practice & Entrepreneurship- (Semester 8)
Learn about the business aspects of being an artist: pricing artwork, marketing, copyright, managing finances, and grant applications. Explore opportunities for setting up your own printmaking studio or collaborating with art collectives.
Tools & Resources
Workshops on art business, Government schemes for artists (e.g., Ministry of Culture grants), Networking with established artists and gallery owners, Legal advice for artists
Career Connection
Equips graduates with the practical knowledge to navigate the Indian art market independently, pursue entrepreneurial ventures, and sustain a professional art career post-graduation.
Program Structure and Curriculum
Eligibility:
- A pass in P.U.C. (10+2) or its equivalent
Duration: 8 semesters / 4 years
Credits: 160 Credits
Assessment: Internal: 30%, External: 70%
Semester-wise Curriculum Table
Semester 1
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| FC 1 | Drawing & Painting - I | Foundation Course (Practical) | 4 | Basic forms and still life, Landscape fundamentals, Introduction to figure drawing, Color theory basics, Compositional elements |
| FC 2 | Sculpture - I | Foundation Course (Practical) | 4 | Clay modeling techniques, Relief sculpture introduction, Plaster of Paris casting, Basic tool handling, Conceptual sculpture basics |
| HA 1 | History of Indian Art - I | History of Art (Theory) | 4 | Pre-historic and Indus Valley Art, Vedic and Mauryan Art, Sunga, Satavahana, Kushan Art, Gupta and Post-Gupta Art, Early Medieval Art |
| TH 1 | Basic Aesthetics | Theory | 4 | Definition of Aesthetics, Art vs. Craft, Elements of Art, Principles of Design, Theories of Beauty |
| ID 1 | Interdisciplinary Subject - I | Interdisciplinary (Elective) | 4 | Varies by college offering and chosen subject, Often includes humanities or social sciences |
Semester 2
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| FC 3 | Drawing & Painting - II | Foundation Course (Practical) | 4 | Portrait studies, Composition techniques, Human anatomy for artists, Expressive drawing, Medium experimentation |
| FC 4 | Sculpture - II | Foundation Course (Practical) | 4 | Portrait in clay, Terra-cotta techniques, Introduction to wood carving, Basic metal casting, Abstract sculpture concepts |
| HA 2 | History of Indian Art - II | History of Art (Theory) | 4 | Mughal painting and architecture, Rajput painting schools, Deccan painting, Nayaka and Vijayanagara architecture, Colonial period art |
| TH 2 | Indian Aesthetics | Theory | 4 | Rasa theory, Dhvani theory, Sadanga (six limbs of painting), Natyashastra, Aesthetics in temple architecture |
| ID 2 | Interdisciplinary Subject - II | Interdisciplinary (Elective) | 4 | Varies by college offering and chosen subject, Often includes humanities or social sciences |
Semester 3
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| FC 5 | Drawing & Painting - III | Foundation Course (Practical) | 4 | Live model studies, Advanced composition, Figure in context, Narrative painting, Mixed media exploration |
| FC 6 | Sculpture - III | Foundation Course (Practical) | 4 | Stone carving techniques, Advanced bronze casting, Environmental sculpture, Installation art concepts, Contemporary sculptural practices |
| HA 3 | History of Western Art - I | History of Art (Theory) | 4 | Egyptian and Mesopotamian Art, Greek and Roman Art, Early Christian and Byzantine Art, Romanesque and Gothic Art, Renaissance Art (Early and High) |
| TH 3 | Art Appreciation | Theory | 4 | Judging and evaluating art, Contextual analysis of artworks, Role of the art critic, Understanding the art market, Museum studies and curation |
| ID 3 | Interdisciplinary Subject - III | Interdisciplinary (Elective) | 4 | Varies by college offering and chosen subject, Often includes humanities or social sciences |
Semester 4
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| FC 7 | Drawing & Painting - IV | Foundation Course (Practical) | 4 | Advanced figure drawing, Large format painting, Abstraction in painting, Introduction to digital painting, Portfolio development |
| FC 8 | Sculpture - IV | Foundation Course (Practical) | 4 | Conceptual sculpture projects, Public art concepts, Performance art introduction, Contemporary material exploration, Portfolio development |
| HA 4 | History of Western Art - II | History of Art (Theory) | 4 | Baroque and Rococo Art, Neoclassicism and Romanticism, Realism and Impressionism, Post-Impressionism and Symbolism, Early 20th Century Avant-garde |
| TH 4 | Art Criticism | Theory | 4 | Theories of criticism, Semiotics in art, Feminist art criticism, Post-colonial criticism, Writing art reviews |
| ID 4 | Interdisciplinary Subject - IV | Interdisciplinary (Elective) | 4 | Varies by college offering and chosen subject, Often includes humanities or social sciences |
Semester 5
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| SGP 1 | Graphic Art (Printmaking) - I | Specialization (Practical) | 4 | Linocut and woodcut techniques, Etching (drypoint), Monoprint methods, Basic studio safety and materials, Editioning practices |
| SGP 2 | Drawing - I | Specialization (Practical) | 4 | Observational drawing for printmaking, Tonal studies for relief printing, Mark-making for various processes, Figure studies for composition, Conceptual drawing exercises |
| SGP 3 | Graphic Art (Printmaking) - I | Specialization (Theory) | 4 | History of printmaking, Tools and materials for relief and intaglio, Paper types and properties, Print terminology and processes, Study of significant print artists |
| HA 5 | Modern Western Art - I | History of Art (Theory) | 4 | Cubism and Futurism, Expressionism and Fauvism, Dada and Surrealism, Abstract Expressionism, Pop Art movement |
| ID 5 | Interdisciplinary Subject - V | Interdisciplinary (Elective) | 4 | Varies by college offering and chosen subject, Often includes subjects related to visual culture or design |
Semester 6
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| SGP 4 | Graphic Art (Printmaking) - II | Specialization (Practical) | 4 | Lithography (stone and plate), Serigraphy (screen printing), Collagraphy techniques, Photo-etching, Multi-color printing methods |
| SGP 5 | Drawing - II | Specialization (Practical) | 4 | Expressive drawing for print, Drawing for lithography, Digital drawing techniques, Conceptual drawing for projects, Material exploration in drawing |
| SGP 6 | Graphic Art (Printmaking) - II | Specialization (Theory) | 4 | Evolution of printmaking in 20th century, Digital printmaking techniques and impact, Health and safety in print studio, Print market and valuation, Copyright and intellectual property |
| HA 6 | Modern Western Art - II | History of Art (Theory) | 4 | Minimalism and Conceptual Art, Land Art and Performance Art, Photo-Realism and Hyperrealism, Neo-Expressionism, Contemporary global art trends |
| ID 6 | Interdisciplinary Subject - VI | Interdisciplinary (Elective) | 4 | Varies by college offering and chosen subject, Often includes subjects related to visual culture or design |
Semester 7
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| SGP 7 | Graphic Art (Printmaking) - III | Specialization (Practical) | 4 | Advanced relief printing, Advanced intaglio techniques, Experimental printmaking, Artist books and multiples, Portfolio development for exhibitions |
| SGP 8 | Drawing - III | Specialization (Practical) | 4 | Figure studies for print compositions, Advanced portraiture, Environmental drawing, Drawing for mixed media prints, Narrative drawing |
| SGP 9 | Graphic Art (Printmaking) - III | Specialization (Theory) | 4 | Role of printmaking in activism and social commentary, Curating print exhibitions, Print conservation and restoration, Digital tools for printmaking design, Critical analysis of contemporary prints |
| HA 7 | Modern Indian Art - I | History of Art (Theory) | 4 | Bengal School of Art, Santiniketan artists and ideals, Progressive Artists'''' Group, Pre-Independence modernists, Regional modernism movements |
| ID 7 | Interdisciplinary Subject - VII | Interdisciplinary (Elective) | 4 | Varies by college offering and chosen subject, Often includes subjects related to visual culture or design |
Semester 8
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| SGP 10 | Graphic Art (Printmaking) - IV | Specialization (Practical) | 4 | Independent printmaking project, Thesis project in printmaking, Advanced serigraphy applications, Print installation concepts, Exhibition preparation and display |
| SGP 11 | Drawing - IV | Specialization (Practical) | 4 | Master studies in drawing, Large-scale drawing projects, Preparatory drawings for final project, Self-portraiture and expressive drawing, Mixed media drawing for prints |
| SGP 12 | Graphic Art (Printmaking) - IV | Specialization (Theory) | 4 | Contemporary issues in printmaking, Global printmaking trends, Professional practice for printmakers, Entrepreneurship in art, Grant writing and funding for artists |
| HA 8 | Modern Indian Art - II | History of Art (Theory) | 4 | Post-Independence art movements, Contemporary art practices in India, Diaspora artists and their influence, Role of art institutions and galleries, Art and globalization in Indian context |
| ID 8 | Interdisciplinary Subject - VIII | Interdisciplinary (Elective) | 4 | Varies by college offering and chosen subject, Often includes subjects related to visual culture or design |
