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BA in Drawing Painting at Janak Dulari Shiv Datt Mahavidyalaya
Kaushambi, Uttar Pradesh
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About the Specialization
What is Drawing/Painting at Janak Dulari Shiv Datt Mahavidyalaya Kaushambi?
This Drawing and Painting program at Janak Dulari Shiv Datt Mahavidyalaya focuses on cultivating artistic skills and a deep understanding of art history and theory. Rooted in both traditional Indian and Western art forms, the curriculum emphasizes practical studio work, critical analysis, and creative expression. It addresses the growing demand for skilled artists, illustrators, and designers in India''''s vibrant creative industries.
Who Should Apply?
This program is ideal for creative individuals passionate about visual arts, including fresh 10+2 graduates aspiring for a career in art, individuals seeking to refine their artistic techniques, or those interested in art history and criticism. It caters to aspiring artists, art educators, and cultural heritage enthusiasts looking for a structured artistic education. No specific prior art background is strictly mandated, welcoming diverse learners.
Why Choose This Course?
Graduates of this program can expect to pursue diverse career paths in India such as professional artists, illustrators, art educators, art critics, graphic designers, or museum curators. Entry-level salaries typically range from INR 2.5 LPA to 4.5 LPA, with experienced professionals earning significantly more. The program fosters critical thinking and creative problem-solving, aligning with requirements for various creative and cultural roles.
Student Success Practices
Foundation Stage
Master Fundamental Drawing Techniques- (Semester 1-2)
Consistently practice core drawing skills like line, tone, proportion, and perspective using various mediums such as pencil, charcoal, and pastels. Focus on still life and basic figure drawing to build a strong observational foundation. Attend open studio sessions.
Tools & Resources
Sketchbooks, charcoal sticks, soft pencils (2B-8B), art anatomy books (e.g., Bridgman''''s Guide), local art supply stores
Career Connection
A strong foundation in drawing is essential for all visual art careers, from illustration to fine art, ensuring technical proficiency for future projects and professional work.
Immerse in Art History and Theory- (Semester 1-2)
Actively engage with lectures on Indian and Western art history. Supplement classroom learning by visiting local museums, art galleries, and cultural sites (e.g., museums in Prayagraj or Varanasi) to see artworks firsthand. Read recommended art history texts and art criticism.
Tools & Resources
University library, online art history resources (e.g., Khan Academy Art History, Google Arts & Culture), museum visits
Career Connection
Understanding art history provides context for creative expression, informs curatorial roles, and is crucial for art educators and critics, enhancing conceptual depth in their practice.
Develop a Consistent Studio Practice- (Semester 1-2)
Allocate dedicated time outside of scheduled classes for independent studio work. Experiment with different mediums and styles introduced in practical sessions. Maintain an art journal to document ideas, sketches, and reflections on your creative process. Seek feedback from peers.
Tools & Resources
Dedicated workspace, personal art supplies, art journals, peer review sessions
Career Connection
Consistent practice builds discipline and technical skill, which are vital for productivity as a professional artist or designer. It also fosters a unique artistic voice.
Intermediate Stage
Explore Diverse Painting Mediums and Styles- (Semester 3-5)
Actively experiment with various painting mediums such as watercolors, oils, and acrylics, and explore different styles including landscape, portraiture, and abstract forms. Participate in college art competitions and local exhibitions to gain exposure.
Tools & Resources
Watercolors, oil paints, acrylics, canvas, specialized brushes, local art exhibition listings, college art clubs
Career Connection
Versatility in mediums and styles expands an artist''''s portfolio, making them more adaptable for various commissions, gallery representations, and design projects in the Indian market.
Engage in Critical Art Analysis- (Semester 3-5)
Participate actively in discussions about art aesthetics and modern art movements, both Indian and Western. Develop your ability to critically analyze artworks, articulate your interpretations, and provide constructive feedback during critiques. Read art magazines and online forums.
Tools & Resources
Art theory books, online art criticism blogs, art journals (e.g., Lalit Kala Akademi publications)
Career Connection
Strong analytical and communication skills are essential for art critics, art historians, educators, and gallery managers, enabling them to interpret and present art effectively.
Build a Portfolio of Diverse Works- (Semester 3-5)
Systematically document all significant artworks created throughout the semesters, ensuring high-quality photographs or digital scans. Curate a portfolio that showcases a range of skills, mediums, and conceptual depth, preparing for potential internships or higher studies.
Tools & Resources
Digital camera, scanner, portfolio website platforms (e.g., Behance, ArtStation), cloud storage
Career Connection
A professional portfolio is the primary tool for artists and designers to secure jobs, internships, commissions, or admissions to master''''s programs, acting as their visual resume.
Advanced Stage
Develop a Specialization and Unique Artistic Voice- (Semester 6)
Focus intensely on a chosen area of specialization (e.g., portraiture, abstract art, digital painting) and develop a distinctive artistic style. Undertake self-directed projects that explore personal themes and demonstrate a mature understanding of art principles.
Tools & Resources
Advanced art materials, access to specialized software (if applicable), mentorship from faculty, art residencies
Career Connection
A unique artistic voice and specialization are crucial for standing out in the competitive art market, attracting collectors, and building a recognizable brand as an independent artist or creative professional.
Prepare for Professional Practice and Exhibition- (Semester 6)
Learn about the business aspects of art, including pricing, marketing, copyright, and exhibiting artwork. Actively participate in the final year project/dissertation, aiming for a professional presentation or exhibition of your work, either within the college or at an external venue.
Tools & Resources
Workshops on art business, online resources for artists, exhibition spaces, framing services, self-promotion tools
Career Connection
Essential for artists to transition from academia to professional practice, enabling them to manage their career, market their art, and secure sales or commissions effectively.
Network and Seek Mentorship- (Semester 6)
Actively network with established artists, gallerists, curators, and educators at art events, workshops, and exhibitions. Seek mentorship opportunities to gain insights into the professional art world and receive guidance on career development and artistic growth.
Tools & Resources
Art community events, professional art organizations (e.g., state Lalit Kala Akademi), LinkedIn, faculty advisors
Career Connection
Networking opens doors to collaborations, exhibition opportunities, and employment, while mentorship provides invaluable guidance for navigating the complexities of a career in the arts in India.
Program Structure and Curriculum
Eligibility:
- No eligibility criteria specified
Duration: 3 years (6 semesters)
Credits: 32 (for Drawing/Painting Major specialization only) Credits
Assessment: Internal: 25%, External: 75%
Semester-wise Curriculum Table
Semester 1
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DRG101 | Indian Painting (भारतीय चित्रकला) - Theory | Core (Major) | 3 | History of Indian Art, Pre-historic Art (Rock Paintings, Indus Valley Civilization), Buddhist and Jain Art (Ajanta, Bagh, Sittanavasal), Medieval Indian Art (Pala, Apabhramsa, Delhi Sultanate), Mughal Painting (Babur to Shah Jahan), Rajput Painting (Mewar, Marwar, Kishangarh) |
| DRG102 | Drawing and Still Life (ड्राइंग एवं स्टिल लाईफ) - Practical | Core (Major) | 2 | Elements and Principles of Art, Drawing Techniques (line, tone, texture), Still Life Composition (simple objects), Mediums (pencil, charcoal, pastels), Observation and Representation |
Semester 2
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DRG201 | Western Art (पाश्चात्य कला) - Theory | Core (Major) | 3 | History of Western Art, Ancient Greek and Roman Art, Early Christian and Byzantine Art, Renaissance Art (Early, High, Northern), Baroque and Rococo Art, Neoclassicism and Romanticism |
| DRG202 | Portraiture and Figure Drawing (व्यक्तिचित्र एवं मानवाकृति चित्रण) - Practical | Core (Major) | 2 | Anatomy for Artists, Proportions of Human Figure, Facial Features and Expressions, Live Model Drawing, Composition with Figures |
Semester 3
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DRG301 | Indian Aesthetics & Modern Art (भारतीय सौन्दर्य शास्त्र एवं आधुनिक कला) - Theory | Core (Major) | 3 | Concept of Rasa, Dhvani, Chhanda, Six Limbs of Indian Painting (Sadanga), Rise of Modern Art in India (Bengal School), Contemporary Indian Artists, Folk and Tribal Art of India |
| DRG302 | Landscape Painting (भू-दृश्य चित्रण) - Practical | Core (Major) | 2 | Perspective in Landscape, Composition of Natural Elements, Color Theory in Landscape, Outdoor Sketching, Mediums (watercolor, oil, acrylic) |
Semester 4
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DRG401 | Modern Western Art (आधुनिक पाश्चात्य कला) - Theory | Core (Major) | 3 | Impressionism and Post-Impressionism, Expressionism and Cubism, Surrealism and Dadaism, Abstract Art, Contemporary Western Art Trends |
| DRG402 | Composition & Design (संयोजन एवं रूपांकन) - Practical | Core (Major) | 2 | Principles of Composition, Abstract Design, Symbolism in Art, Theme-based Composition, Mixed Media Techniques |
Semester 5
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DRG501 | Art and Society (कला एवं समाज) - Theory | Core (Major) | 4 | Role of Art in Culture, Art as Social Commentary, Patronage and Art Market, Art Movements and Social Change, Global Art Scene and Cultural Exchange |
| DRG502 | Applied Art & Graphics (व्यवहारिक कला एवं ग्राफिक्स) - Practical | Core (Major) | 2 | Introduction to Applied Art, Poster Design and Advertising, Logo and Branding, Digital Art Fundamentals, Typography and Layout |
Semester 6
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DRG601 | Research Methodology in Art (कला में शोध प्रविधि) - Theory | Core (Major) | 4 | Introduction to Art Research, Research Design and Methods, Data Collection and Analysis, Writing Research Papers, Art Criticism and Curatorial Studies |
| DRG602 | Project / Dissertation (परियोजना / शोध प्रबन्ध) - Practical | Core (Major) | 2 | Topic Selection and Proposal, Independent Art Project, Exhibition/Presentation of Work, Documentation of Creative Process, Critical Self-evaluation |
