

B-A in Drawing Painting at Devaki Devi Degree College


Kushinagar, Uttar Pradesh
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About the Specialization
What is Drawing & Painting at Devaki Devi Degree College Kushinagar?
This Drawing & Painting program at Devaki Devi Degree College focuses on nurturing artistic talent through a comprehensive study of art history, aesthetics, and practical techniques. It delves into both Indian and Western art traditions, preparing students for creative roles in a burgeoning Indian art market. The curriculum emphasizes hands-on experience and critical understanding of visual arts.
Who Should Apply?
This program is ideal for creative individuals with a passion for visual arts, including fresh graduates seeking entry into the art and design industry. It also suits aspiring artists, illustrators, art educators, and those looking to develop their artistic skills and knowledge to pursue professional careers in the dynamic Indian cultural and creative sectors.
Why Choose This Course?
Graduates of this program can expect diverse career paths in India, including fine artist, art educator, illustrator, graphic designer, art restorer, or gallery assistant. Entry-level salaries typically range from INR 2.5 LPA to 4.5 LPA, with experienced professionals earning significantly more. The program fosters creativity, critical thinking, and technical proficiency, aligning with growing demand in the Indian creative economy.

Student Success Practices
Foundation Stage
Master Basic Drawing & Color Theory- (Semester 1-2)
Dedicate consistent practice time to fundamental drawing exercises like still life, human figures, and perspective. Actively experiment with various mediums such as pencils, charcoal, pastels, watercolors, and acrylics. Thoroughly understand color theory by creating color wheels and mixing palettes, which are crucial for all painting forms.
Tools & Resources
Sketchbooks, Drawing kits, Basic paint sets (water, acrylic), Art instruction books, Online tutorials (e.g., Draw Mix Paint, Proko)
Career Connection
Strong foundational skills are indispensable for any artistic career, from fine art to illustration and design, ensuring a robust portfolio for future opportunities.
Engage with Art History & Aesthetics- (Semester 1-2)
Beyond classroom lectures, actively research and visit local art museums and galleries (physical or virtual) to observe Indian and Western art movements. Participate in discussions on art aesthetics and criticism, developing a critical eye and understanding of artistic contexts. Maintain a sketchbook for visual notes and quick studies inspired by historical works.
Tools & Resources
Museum visits (e.g., National Museum, Delhi, local galleries), Art history documentaries, Art journals, Online platforms (e.g., Google Arts & Culture, Khan Academy Art History)
Career Connection
A deep understanding of art history and theory enriches artistic expression, informs critical discourse, and is vital for roles in art education, curatorship, and art writing.
Cultivate a Daily Creative Habit- (Semester 1-2)
Develop a routine of daily sketching or creative visualization, even for short periods. Join college art clubs or informal groups to collaborate with peers, share work, and receive constructive feedback. Participate in campus art competitions to build confidence and exhibit early works.
Tools & Resources
Dedicated sketchbook/journal, Peer art groups, College art society/club, Local art events/workshops
Career Connection
Consistent creative practice fuels innovation and resilience, essential traits for professional artists and designers. Peer networking can also open doors to collaborative projects.
Intermediate Stage
Specialize in Chosen Mediums/Styles- (Semester 3-5)
Identify specific painting mediums (e.g., oil, watercolor, digital painting) or artistic styles that resonate with you. Focus on developing expertise in these areas through advanced workshops, self-study, and dedicated projects. This specialization helps in carving a niche and defining your artistic voice.
Tools & Resources
Specialized art supplies, Advanced workshops (e.g., Lalit Kala Akademi workshops), Online masterclasses (e.g., Domestika, Skillshare), Art magazines for trend analysis
Career Connection
Specialization builds a unique portfolio that stands out to potential employers or clients, making you a more desirable candidate in specific art fields.
Seek Internships & Live Projects- (Semester 3-5)
Actively look for internship opportunities at local art studios, galleries, design firms, or cultural organizations. Engage in live projects or commissions, even small ones, to gain practical experience and understand professional workflows. Document all project work for your portfolio.
Tools & Resources
College placement cell, Local art community contacts, LinkedIn, Networking events, Art fairs
Career Connection
Internships provide invaluable industry exposure, build a professional network, and often lead to full-time employment or future collaborations in the Indian art scene.
Build a Digital Portfolio & Online Presence- (Semester 3-5)
Start compiling your best artworks into a professional digital portfolio. Create an online presence through platforms like Instagram, Behance, or a personal website to showcase your work. Learn basic photography skills to capture your art effectively and use social media to connect with other artists and potential patrons.
Tools & Resources
Behance, Instagram, ArtStation, Personal website builders (e.g., WordPress, Wix), Basic photo editing software
Career Connection
An impressive digital portfolio and active online presence are crucial for artists and designers in India to attract commissions, jobs, and build a brand in the digital age.
Advanced Stage
Develop a Unique Artistic Style & Voice- (Semester 6)
Focus on developing a distinct artistic style and voice through continuous experimentation, critical self-reflection, and exploration of personal themes. Participate in advanced critiques and group exhibitions to refine your approach and receive diverse feedback. This stage is about artistic maturity and originality.
Tools & Resources
Peer critique sessions, Mentorship from senior artists, Advanced art theory books, Solo/group exhibition opportunities
Career Connection
A unique artistic style is a hallmark of a successful professional artist, enabling recognition, building a strong brand, and securing high-value commissions or sales.
Prepare for Post-Graduation Pathways- (Semester 6)
For those pursuing higher education, prepare for entrance exams or portfolio reviews for M.F.A. programs in India or abroad. For immediate employment, refine your portfolio, resume, and interview skills. Network with established artists, gallerists, and art professionals to explore job opportunities and mentorships.
Tools & Resources
Career counseling services, Portfolio review sessions, Job portals (e.g., Naukri.com for creative roles), Industry events and workshops
Career Connection
Strategic planning and preparation during the final year significantly boost chances of securing desirable placements, launching independent careers, or gaining admission to prestigious graduate programs.
Understand Art Business & Entrepreneurship- (Semester 6)
Gain knowledge about the business aspects of art, including pricing artwork, marketing, copyright, intellectual property rights, and managing sales. Explore entrepreneurial ventures within the art world, such as starting an art studio, teaching workshops, or offering freelance design services. Attend workshops on art management and law.
Tools & Resources
Books on art entrepreneurship, Workshops on copyright and IP, Networking with art entrepreneurs, Government schemes for small businesses/startups
Career Connection
Understanding art business empowers artists to manage their careers independently, secure fair remuneration, and potentially establish successful art ventures in India''''s growing creative economy.
Program Structure and Curriculum
Eligibility:
- 10+2 (Intermediate) or equivalent from a recognized board, as per Deen Dayal Upadhyay Gorakhpur University norms.
Duration: 3 years (6 semesters)
Credits: 38 (for Drawing & Painting Major specialization subjects) Credits
Assessment: Internal: 25%, External: 75%
Semester-wise Curriculum Table
Semester 1
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DPG 101 | History of Indian Painting (Ancient & Medieval) | Major Theory | 4 | Pre-historic Rock Art, Indus Valley Civilization Art, Ajanta and Bagh Murals, Pala and Jain Miniature Painting, Mughal School of Painting, Rajasthani Schools of Painting |
| DPG 102 | Drawing & Painting (Practical) | Major Practical | 2 | Still Life Study with various mediums, Nature Study and Observation, Basic Figure Drawing Techniques, Introduction to Portrait Study, Elements of Basic Composition |
Semester 2
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DPG 103 | History of Western Painting (Ancient to Renaissance) | Major Theory | 4 | Egyptian and Mesopotamian Art, Greek and Roman Classical Art, Early Christian and Byzantine Art, Gothic Painting and Manuscript Illumination, Proto-Renaissance Art (Giotto), High Renaissance Masters (Leonardo, Michelangelo, Raphael) |
| DPG 104 | Composition & Design (Practical) | Major Practical | 2 | Principles of Design (Balance, Rhythm, Unity), Two-Dimensional Composition Exercises, Color Theory and Application, Creative Visualization and Imagination, Introduction to Mural Design Concepts |
Semester 3
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DPG 201 | Indian Aesthetics & Art Criticism | Major Theory | 4 | Rasa Siddhanta and its application in Art, Dhwani Siddhanta and Aesthetic Experience, Shadanga of Indian Painting (Six Limbs), Indian Philosophies of Beauty and Art, Methods and Approaches to Art Criticism |
| DPG 202 | Figure Drawing & Portraiture (Practical) | Major Practical | 2 | Human Anatomy for Artists, Proportions and Live Model Study, Advanced Portrait Drawing Techniques, Capturing Expression and Mood, Mediums for Figure and Portrait Study |
Semester 4
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DPG 203 | History of Western Painting (Baroque to Modern) | Major Theory | 4 | Baroque and Rococo Styles, Neo-Classicism and Romanticism, Impressionism and Post-Impressionism, Expressionism and Fauvism, Cubism and Surrealism, Abstract Art and Contemporary Trends |
| DPG 204 | Landscape & Outdoor Sketching (Practical) | Major Practical | 2 | Linear and Atmospheric Perspective, Study of Light, Shade, and Color in Nature, Plein Air Painting Techniques, Urban and Rural Landscape Composition, Various Mediums for Outdoor Sketching |
Semester 5
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DPG 301 | Modern Indian Painting | Major Theory | 4 | The Bengal School and its Influence, Progressive Artists'''' Group and Contemporaries, Post-Independence Indian Art Trends, Role of Art Galleries and Institutions in India, Contemporary Art Movements in India, Art Market and Patronage in India |
| DPG 302 | Advanced Composition (Practical) | Major Practical | 2 | Abstract and Non-Objective Composition, Figurative and Narrative Composition, Mixed Media Exploration and Experimentation, Conceptual Art and its Expression, Basics of Installation Art, Digital Tools in Composition |
Semester 6
| Subject Code | Subject Name | Subject Type | Credits | Key Topics |
|---|---|---|---|---|
| DPG 303 | Indian Folk & Tribal Art | Major Theory | 4 | Diversity of Indian Folk Art Traditions, Major Tribal Art Forms (Warli, Gond, Bhil), Regional Folk Art Styles (Madhubani, Patachitra), Significance of Ritualistic and Ceremonial Art, Contemporary Interpretations of Folk Art, Documentation and Preservation of Folk Art |
| DPG 304 | Project Work / Dissertation (Practical) | Major Practical/Project | 4 | Art Research Methodology and Proposal Writing, Concept Development and Ideation for Artwork, Execution of an Independent Art Project, Portfolio Development and Presentation Skills, Art Documentation and Archiving, Exhibition Design and Curation Principles |




